Chord Router

Practice help and product feedback

Help & Feedback

Make practice easier to start and easier to repeat.

Chord Router is built around small, repeatable practice loops: find a playable shape, connect it to the next chord, then keep the useful tools closest to your hands.

Your data stays on this device

Preferences, saved progressions, and working Ideas are stored in this browser on your computer. No sign-in is needed. Feedback is sent only when you submit it.

Best Practice Flow

Start with a short progression, optimize the path, then play each card slowly until the changes feel automatic.

1. Choose your instrument

Use the instrument controls on the practice page first. Bass modes and guitar modes use different placement rules.

2. Build a route

Enter up to 128 chords in the Chord Router card. Open Key, scale & transposition for the key controls. Auto-detect key & scale suggests the notation key as you type. Tentative results include alternatives; edit either dropdown to keep a manual choice. Spaces, new lines, and backslashes can separate chords. The optimizer favors lower movement between shapes across the full progression.

To change key, open Transpose progression, choose a destination, and click Transpose & optimize. Check the source notation key first. Chord qualities and timing are retained; new fingerings are calculated. Undo transpose returns to the previous progression.

Use Chart for a compact grid, Fingerings for diagrams, or Focus for the current chord and next two changes. Choose chords per row, optional Nashville or Roman numbers, and diagram size. Focus follows Play path or the chord navigation controls. Click any chord to open its fingering options. Amber dots optionally mark the largest fingering moves within this path. Columns adjust to the screen width.

3. Inspect one shape

Use the Selected Chord card to focus on the current fingering. Pick a route card or chord shape to update it.

4. Choose a focus

Use Chord shapes, Scales, or Chord Router within Practice. Songwriting has its own tab; the Library is shared across the workspaces.

Tips

When shapes feel too hard

Use Common only, No barre, or a difficulty filter in Chord Shapes. Lower the maximum span in Settings to limit stretches. The minimum fret excludes open strings when set above zero. Changing a filter updates both shapes and an existing path. Difficulty estimates consider the fingers used, barre contacts, physical fret spacing, finger-pair stretches, combined hand reach, muting, and keeping open strings clear. Guitar estimates use a simplified hand model and a 648 mm reference scale length with typical string spacing; these are defaults, not measurements of your hand or guitar. Open Why this rating in a fingering popup for the reasons and estimated fretted span. Uncertain hand positions add difficulty rather than automatically removing the shape. Acoustic guitar is the default reference; Settings lets you adjust setup, reach, and barre comfort. These estimates are not yet player-validated. Difficulty badges use green for Easy, amber for Moderate, and red for Challenging, alongside the written label. Scores are relative, not a rating out of ten. Lower scores are easier; hand size, instrument setup, and practice also affect how a shape feels.

Common placements and difficulty

Gold outlines and a Common badge identify familiar fingerings. These appear first, followed by other shapes ordered by estimated difficulty. Ordinary full barres rate Easy or Moderate; partial barres can be harder when they require awkward finger placement or keeping nearby strings clear. A Common badge does not determine difficulty. Each shape's difficulty is separate from the movement score for a progression.

Keep a preferred shape

Click Choose an alternative on a path chord to open its fingering popup. Browse or hear the alternatives, then click Use for chord to replace that exact occurrence. The path stays visible behind the popup; closing it without choosing preserves the path. Optimize again to improve the surrounding changes while keeping your choice. Choices are remembered in this browser for the progression and instrument. Release kept shapes to return to automatic choices. If a filter excludes a kept shape, relax that filter or release the choices.

Read the path

The route preview shows its hardest shape and a separate movement score. Open/common route labels explain any exceptions. Calculation runs in the background; use Cancel calculation to stop it. Editing the progression clears the previous result.

Write a progression

Open Songwriting and choose a key, scale, style, and number of main chords. Main chords count slots, including repeats. Use Connections & structure to add passing or approach chords with their own limit. A two-main-chord foundation can therefore have three or four chords in total.

Maximum chord color expands the palette for new main chords. Each higher level includes all earlier options: triads and suspensions, then add9 and sixths, then sevenths, then ninths and thirteenths. Simpler chords remain in the mix; explicitly kept chords retain their color, including sevenths above a lower color setting; harmonic adventure controls outside-scale notes. Within scale checks every chord tone, including additions. Approach chords can use sevenths even at low color. Ideas use recurring harmonic patterns and prepared endings, adapted to the scale. Color allows richer chords without putting an extension on every chord. Style guides choices while scale and playability filters take priority.

Each main slot starts as one bar in the section’s meter (four quarter notes in the default 4/4 Ideas view). Fit additions into its final beats, or extend the progression with extra time. Change durations on individual preview cards. Each idea chord shows a recommended fingering and estimated difficulty. Use Other fingerings to browse diagrams, hear alternatives, and choose a shape for that chord occurrence. Your selection changes the preview sound and carries into Practice as a kept shape. The recommended fingering considers the whole phrase, including the return to the first chord in a loop. Other fingerings are sorted from low to high register, with the recommendation and common shapes labeled; common does not always mean easiest. The preview adds a gentle strumming pulse; ambient ideas sustain. Listen, keep main chords in variations, or use Edit progression to try changes. Undo changes restores the previous ideas, including their fingerings. To replace specific chords, select Try something else on one or more cards, then Try different chords. Other chords, their fingerings, and all durations stay in place. Selected chords must change; if no different playable option fits, the idea remains intact and offers adjustments. Selection releases a main-chord lock. You can keep the selection and try again. Open in Chord Router transfers the idea and timing to Practice; Save to idea library keeps it in the Progression library.

Generate ideas or choose Enter / load chords to work from your own progression. Play an idea, save it to the Library, or open it in Chord Router. Your working Ideas draft saves in this browser.

Refine an idea

Choose Edit progression for More variations, Add passing chords, Simplify chords, or Change chord color. Passing chords turn connections on and follow your scale and allowed additions. Color changes use the maximum chord color in Generation settings. Simplifying preserves root movement but does not guarantee easier fingerings; use Playability to constrain grip difficulty. Select Try something else on specific cards to replace only those chords. Keep in variations protects a main chord during whole-progression variations. Undo changes restores previous candidates. Practice & musical details contains the handoff to Chord Router.

Read chord numbers

Choose a Notation key in Chord Router. Nashville and Roman labels follow that key on shapes, path cards, and library previews. They use major-scale-relative degrees: Am in A is 1m / i; C in A is b3 / bIII. This is the pop convention for Roman labels. Exploring a scale does not change the notation key. Bass degrees show inversions; they do not automatically imply a secondary dominant. Example songs supply their key, and new saves remember it.

Listen to your path

Play path auditions the selected fingerings at the chosen tempo, using saved durations where available. Preview sound is synthesized, with notes staggered like a strum. Stop playback ends it immediately; changing the route or playability settings also stops it.

When learning a song

Open Library at the top of the page to load an example or saved progression, then save the current path when it feels useful.

Practice a specific skill

Open Exercises in Practice and choose a skill and task level. Follow the three steps, set a comfortable tempo, and start a timed session with a four-beat count-in. Subdivision clicks divide the quarter-note beat into two, three, or four equal parts. Turn on Chord guide to hear checked fingerings while you play. Click any chord card to expand or collapse all fingering diagrams together, or open the exercise in Chord Router or the scale map. Stop after at least ten seconds to save how it felt; this is your own assessment, not microphone scoring. Teaching references and practice guidance are available at the bottom of Exercises.

When practicing scales

Open Scales after choosing a chord or song key. All note locations shows every matching note in each fret window. One location per pitch hides duplicate pitches on other strings; it is a suggested selection, not a fingering prescription. Names follow the selected root and scale degrees. The formula lists degrees relative to the major scale: b lowers a degree one semitone, # raises it, and R marks the root. Hover over a note to see its name and degree.

Minor Blues has six notes: minor pentatonic plus b5. Melodic Minor (Jazz) shows the ascending form in both directions; choose Natural Minor for the conventional classical descending form. Minor Bebop (Dorian) is Dorian with an added major third. Altered, diminished, whole-tone and bebop scales can have more than one valid spelling; the scale view explains the convention used.

Check what sounds

Selected Chord lists the actual notes, degrees, bass note, and any omitted tones. Bass chord shapes are chord-tone subsets; two or three strings do not necessarily contain a full chord or three different notes.